Quick & Easy Rigging for Climbing Photography

By: Derek Vitiello | Last Updated on May 2, 2024

Capturing the essence of climbing in a photograph is no small feat. It requires a deep understanding of both the sport and the art of photography, along with a keen sense of timing, composition, and lighting. But that’s not all—you also need a solid grasp on rigging techniques to ensure that you can get yourself, and your camera gear, into the perfect position without compromising safety.

This article aims to delve into the fascinating world of rigging for climbing photography, offering a comprehensive guide on how to safely and effectively set up your rig to get those incredible, gravity-defying shots. Whether you’re a seasoned photographer looking to branch into climbing or a climber with a passion for photography, read on to learn how to bring these two worlds together in harmony.

The Importance of Safe Rigging

Photography has its risks—uneven terrain, unpredictable weather, and high-altitude challenges, to name a few. But when you add climbing into the equation, you amplify the stakes significantly. To dangle from a rock face with a camera in hand, hundreds of feet above the ground, you need more than just a good eye for composition and a steady hand. A robust understanding of safe rigging practices is paramount to ensure not only the quality of your photos but, more critically, your well-being and that of others around you.

Why Safety is Paramount in Climbing Photography

There are numerous variables that can lead to risky situations—loose rocks, equipment failure, or even sudden weather changes. Any of these could cause an accident when you’re in a precarious position capturing that perfect shot. But the difference between a close call and a catastrophe often boils down to your safety measures, especially your rigging setup. A secure rig can act as your lifeline, both literally and metaphorically. It can mean the difference between a jaw-dropping photo and a dangerous, even life-threatening, situation.

Basic Principles of Rigging Safety

To rig safely, you’ll need a thorough understanding of the climbing gear involved, from the types of ropes and carabiners to the intricacies of anchors and a belay device (and a belay loop). Knowing how each piece of equipment functions can go a long way in preventing errors. Additionally, all equipment should be regularly inspected for wear and tear, because the last thing you want is gear failure when you’re hanging off a cliff. Another crucial principle is redundancy. Always have a backup system in place so that if one component fails, another can take over. This “fail-safe” approach is a cornerstone of safe rigging and ensures that you have multiple layers of security while shooting climbing.

With the right gear in hand, you’re well on your way to not only capturing stunning photographs but also ensuring that you and your subjects remain safe throughout the shoot.

The Gear You’ll Need

The right gear is more than just a convenience—it’s a necessity. A camera and a sense of adventure simply won’t cut it; you need specialized equipment that can withstand the rigors of the climbing environment while ensuring maximum safety. Whether you’re new to the scene or a seasoned pro, a well-thought-out gear list is the foundation upon which a successful photography expedition is built. Let’s break down the essentials you’ll need in your kit.

Rigging Hardwear

Your rigging hardware serves as the backbone of your entire setup. Dynamic rope or static rope (preferably static), carabiners, slings, and a variety of anchors are the bare essentials. Webbing and quickdraws also come in handy, allowing you to extend your anchors or establish new connection points. Make sure your hardware is specifically designed for climbing and meets the necessary safety standards. Never compromise on quality; always opt for reputable brands and routinely inspect your gear for any signs of wear or damage.

Photography Equipment

When it comes to the photography side of things, choosing the right camera equipment can make a world of difference. A DSLR or mirrorless camera with a weather-sealed body and a versatile lens is often the go-to choice for most climbing photographers. A tripod that’s sturdy yet lightweight can help in capturing long-exposure shots, and don’t forget extra batteries and memory cards. For those who prefer to go light, a high-quality compact camera or even a smartphone with a good camera function can work surprisingly well, especially for social media or quick documentation.

Specialized Gear for Unique Angles

Shooting from an adjacent route opens up opportunities to see the view behind the climber.

Not every climbing photo can be captured from the standard “below the climber” or “side profile” angles. Sometimes, the magic happens when you venture into unconventional perspectives, like aerial or over-the-shoulder shots. To achieve these, you might need specialized gear such as jumars (for ascending ropes), descenders for controlled descents, or even a portaledge for multi-pitch climbs where you plan to capture a series of shots over an extended period. Some photographers also use drones for capturing unique angles, but keep in mind the regulations and the potential risk to other climbers.


While the basics will get you up and running, there are accessories that can make your life easier, safer, and more comfortable as you dangle from the heights to get that perfect shot. A bosun’s chair provides a stable seat in the vertical world, offering much-needed relief for your legs and back during long shooting sessions. It’s a platform that can hold you and some essential gear, letting you focus on framing and capturing the moment rather than fighting muscle fatigue.

Rope bags are another indispensable accessory. They help you manage your climbing and rigging ropes, keeping them tangle-free and protecting them from dirt and abrasion. Proper rope management speeds up your setup and breakdown times, leaving you more time for the actual photography.

Lastly, consider a hip or chest harness specifically designed for your camera. These harnesses distribute the weight of your camera and lenses more evenly, reducing the strain on your neck and shoulders. They also provide quick and easy access to your camera, so you’re always ready to capture the action as it unfolds.

Preparing for the Shoot

Great photography doesn’t happen by chance; it’s a result of careful planning and preparation. Just like you wouldn’t head up a new climbing route without first assessing its challenges and risks, you shouldn’t embark on a photography shoot without due preparation. In a domain where each move needs to be calculated for both creative and safety reasons, laying down the groundwork is essential. Here’s how to set yourself up for success.

Scouting Locations

Selecting the right location is a game-changer while photographing climbing. Before you head out, do some reconnaissance, either digitally or in person, to find a location that aligns with the vision you have for your shoot. Consider the type of climbing—be it sport, trad, or bouldering—as this will influence the kind of shots you can get. Also, think about lighting, angles, and the backdrop. The environment should enhance, not distract from, the climber and the action you’re trying to capture.

Planning Your Shots

Planning your shots in advance can make the difference between capturing something good and something truly extraordinary. Visualize the types of images you want and think about the techniques you’ll need to employ to achieve them. Will you be shooting from above, below, or level with the climber? Do you want to capture the tension in their face or the intricate ballet of their movements? Storyboarding or creating a shot list can be particularly useful to make sure you don’t miss any essential moments.

Safety Checks and Gear Inspection

Before you set a single carabiner or fire off a single shot, take the time to conduct thorough safety checks and gear inspections. Ensure that all your rigging hardware is in optimal condition and that you’re familiar with the safety protocols for your specific location. Double-check knots, anchors, and connections. Test all camera gear as well, making sure batteries are charged and memory cards are functioning.

Climbing Photographer Rigging Techniques

Capturing the perfect climbing shot involves a lot more than just having an eye for aesthetics. Your ability to get into the right position is almost as important as the camera gear you’re using. Let’s delve into some advanced techniques that can help you make the most out of your photography adventures. Whether you’re rappelling down a cliff face, ascending a fixed line, or actually climbing alongside your subject, each approach has its own set of challenges and advantages. Mastering these techniques will not only help you get the shot you’re after but also ensure that you’re doing it in a way that’s safe and efficient.

Photographer Rappelling

Rappelling is a go-to technique for many climbing photographers, as it offers a controlled descent that allows for shooting from a variety of angles. By rappelling down from an anchor above the climb, photographers can situate themselves at the perfect spot to capture the crux moves, facial expressions, or wide-angle scenes. This method is particularly effective for photographing overhangs and roofs, where getting a good vantage point can be challenging.

Fixed Line Ascension

Fixed line ascension is a technique where the photographer uses ascenders with a foot loop to move up and down a static rope that’s attached to an anchor or anchor point like a tree. This gives you the ability to quickly and safely reposition yourself, which is crucial for capturing the climber from different perspectives. Ascenders can be attached to a harness and operated hands-free once you’re clipped in, leaving you free to focus on capturing the perfect shot. It’s a stable and safe technique, ideal for both novice and experienced climbing photographers.

Photographer Climbing

In some scenarios, the photographer may choose to climb alongside or behind the subject. This approach offers a unique, almost first-person perspective and can be very engaging for the viewer. However, this method requires a high level of photographer climbing skill and confidence from the photographer, as you’ll need to manage both your own safety and the camera gear while also focusing on the shot. Needless to say, this approach is best left to those who are very comfortable with both climbing and photography.

Closed Loop Ascension

Closed loop ascension is a technique that involves using a loop of rope passed through an anchor point above you, creating a closed system that you can ascend and descend. This offers the benefit of extra stability and the ability to switch between ascension and rappelling without changing your setup. However, it does require more gear and set-up time, and you need to be extra cautious to ensure that all components of the system are securely rigged. This method is typically used in more complex or technical shooting situations.

Fixed vs. Closed Loop

Fixed ascension and closed loop ascension are similar in that they both involve using a rope to ascend or descend, but there are key differences in the setup and functionality of each.

  1. Fixed Rope Ascension: In this method, a single rope is anchored at the top and hangs down the climbing route. Climbing photographers use mechanical ascenders to climb up or down this line. The rope doesn’t move, hence the term “fixed line.” This method is versatile and allows for quick repositioning along the length of the rope.
  2. Closed Loop Ascension: This technique involves a loop of rope that is passed through an anchor point above, creating a closed system. Because it’s a loop, you have the added stability of two strands of rope, and it also allows the option of switching between ascension and rappelling without changing your setup. However, it is generally more complicated to set up and requires more equipment.

In essence, a closed loop is a form of a fixed line, but not all fixed lines are closed loops. The techniques for ascending them could be similar, employing mechanical ascenders with a foot loop or other devices for moving up the rope.

In summary, while both methods are used for ascending or descending, fixed ascension is simpler but less versatile, whereas closed loop ascension offers more stability and versatility at the cost of increased complexity in the setup. Either way, static rope is preferred over dynamic rope in most situations.

A perfect example of a remarkably unflattering and useless angle.

Positioning for the Best Angles

Your choice of positioning—whether climbing, ascending a fixed line, or rappelling—can dramatically affect the angles and types of shots you can get. Climbing allows you the most freedom of movement, but it can be physically demanding and slow, especially if you’re dealing with challenging routes. Ascending a fixed line with a jumar or similar device is efficient and stable, making it easier to focus on your photography. Rappelling offers a quick way to get into position but limits you to shooting from above your subject.

When it comes to shooting angles, both shooting from above and from an adjacent route have their merits. Shooting from above allows you to capture the climber’s face and emotions more readily, and it’s often easier to rig. Shooting from an adjacent route, however, allows for dramatic action shots that include more of the environment, giving a sense of scale and adventure to your images. Choose your positioning based on the specific shots you’ve planned and the story you want to tell.

Practical Tips for Shooting

Once you’ve set up your rigging and are in position, you face the ongoing challenge of capturing compelling shots while maintaining absolute safety. It’s not just about the angles and lighting; it’s about how you manage real-world variables like climber communication, changing weather conditions, and of course, your own well-being on the wall.

The practical aspect of shooting while climbing involves a blend of preparation, adaptability, and constant communication. Mastering these elements will not only make your shoot smoother but will also help you come away with shots that are both visually stunning and emotionally authentic.

Balancing Safety and Creativity

The tension between getting that perfect shot and ensuring everyone’s safety is a constant balancing act. Never compromise on safety for the sake of creativity. Always double-check your anchors and hardware and make sure you’re securely attached to your ropes before reaching for that ambitious angle. Your harness should hold your photography gear securely, but in a way that doesn’t impede your movement or your access to essential climbing gear. Even in the quest for the perfect shot, your safety and that of the climbers you’re photographing is paramount.

Dealing with Environmental Factors

Tell a story from beginning to end.

Climbing photography often takes you into extreme environments that could be hot, cold, windy, or wet. Each of these conditions not only affects you but also your equipment. Protect your camera gear with weatherproof cases and be prepared with clothing layers to handle temperature fluctuations. If you’re shooting in bright sunlight, consider using lens filters to manage the exposure. Wind can also be a major factor, affecting your stability and thus the clarity of your shots. In such conditions, you may need to lower your shooting position or find sheltered angles to maintain shot quality.

Communicating with Climbers

Effective communication with the climber or climbers you’re photographing is essential for capturing authentic and dramatic images. Pre-shoot briefings can help align expectations and set the ground rules, but once everyone is on the wall, standard climbing calls and hand signals may not suffice. Two-way radios can be invaluable, especially in noisy or windy environments. Discuss key moments in the climb in advance, so you know when to be ready to capture the action. Likewise, maintain an open channel for them to let you know if they’re about to make a big move or reach a scenic point.

Climbing Photography Tips

Climbing photography is an art form that captures the grit, determination, and sheer joy of scaling vertical terrain. But getting that perfect shot isn’t as simple as just hitting the shutter button. Here are some pro tips that can help elevate your photography.

Shade is Better Than Sun

High-contrast, direct sunlight can create harsh shadows and overexposed highlights, making it difficult to capture detail in both the climber and the rock. Overcast days or shooting in the shade often provide softer, more even lighting that’s easier to work with. Additionally, climbing routes that are in the shade will keep your subject from squinting or sweating excessively, which can ruin a potentially great shot.

Remove Distractions and Excess Gear From the Photo

A great climbing photo is often a study in minimalism. Any extraneous gear, loose ropes, or even spectators can distract from the central focus: the climber and their interaction with the rock. Be mindful of the frame and try to isolate your subject as much as possible. This could mean asking the belayer to shift a little or repositioning yourself to avoid capturing distracting elements in the background.

Don’t Have Climbers Pose or Smile

Authenticity is key in photography, especially when photographing climbing. Staged shots with forced smiles or poses can come across as artificial and take away from the raw emotion and concentration that climbing evokes. Capture climbers in their natural state—whether they’re locked in a battle of wills with a tricky section or experiencing the euphoria of topping out.

Find Unique Angles and Views

Shooting from directly above can offer some dramatic perspectives, but don’t limit yourself to this vantage point. Try capturing the climber’s route from the side, from below, or even from an adjacent route. Different angles can highlight various aspects of the climb, such as the steepness of the route, the texture of the rock, or the climber’s technique.

Be Mindful of Clipping

Taking a photo from above when a climber is clipped above their head can create an awkward composition and make the climb look easier than it is. The angle diminishes the appearance of the route’s steepness and fails to capture the climber’s face, making it hard to convey emotion or intensity. Aim to shoot in moments that truly encapsulate the difficulty and drama of the climb.

#1 Tip for Climbing Photographers

Arguably the most important element in climbing photography—or any kind of photography, really—is storytelling. Your images should do more than just freeze a moment in time; they should narrate a journey, capturing the essence of the climb and the climber. This turns a static image into a dynamic narrative that engages the viewer and helps them feel the raw emotions, the challenges, and the victories that define the climbing experience.

Remember, climbing is as much an emotional and psychological endeavor as it is a physical one. By capturing the full arc of the experience, from preparation to completion, you can convey the richness and complexity of the sport in a way that resonates deeply with viewers, both climbers and non-climbers alike.

The Beginning: Setting the Scene

This stage is often overlooked, but it’s where the story begins. Documenting the packing, the preparation, the drive to the climbing spot, and the walk-in sets the stage and provides context. Capture close-ups of the gear being laid out, the chalk bag getting filled, and the climber lacing up their shoes or tying into the rope. These shots serve as an appetizing “prelude” to the action, stoking anticipation for the climb that’s about to unfold.

The Middle: The Heart of the Climb

This is where you capture the meat of the story. Whether it’s a series of struggles and falls or a smooth, flowing ascent, this is where the drama happens. Shots of crux moves, desperate clips, and even falls can all contribute to the narrative. But also look for quieter moments of concentration, determination, or even doubt. Those can be just as compelling as the more dynamic action shots. And don’t forget the top-out—that moment of elation (or relief) when the climber gets to the top can be one of the most powerful images in your sequence.

The End: The Aftermath

Once the climbing is done, the story isn’t over. Now is the time to capture the repercussions of the climb. Whether it’s bloody fingers, a chalk-covered face, or a tired but satisfied expression, these details add depth to your story. The setting sun, snacks being shared, or climbers brushing holds for the next attempt—these all contribute to the narrative and serve as a fitting “epilogue” to your visual story.


Climbing photographers must know quick and easy rigging techniques to take breathtaking shots while ascending. The length of rope, slings, bolts, anchors and composition are important. Lighting is also key; climbers should choose routes with shade or use chalk to highlight features.

They must understand climbing techniques and safety protocols before rigging for photography. This includes being able to clip into harnesses and use gear.

Some pros have developed unique tricks. For example, Jimmy Chin‘s work has been featured in National Geographic. His expertise lets him capture amazing climbing photos from seemingly impossible angles. He even beautifully captured Alex Honnold‘s Free Solo movie.

Frequently Asked Questions

FAQ 1: What is climbing photography?

Climbing photography refers to the practice of capturing photos while rock climbing or photographing climbers in action. It involves the use of specialized techniques and gear to safely and artistically document climbers in various climbing routes, capturing their movements, body positions, and the breathtaking landscapes they ascend.

FAQ 2: What kind of gear does a climbing photographer need?

A climbing photographer needs a range of gear, including a camera, lenses, ropes, carabiners, slings, and an anchor system for attaching themselves to the rock face. In addition, a harness, helmet, and ideally, a climbing partner are essential for safety. Additional gear may include quickdraws, ascenders, and a chalk bag to enhance grip and prevent slipping.

FAQ 3: How can I capture great climbing photos?

To capture great climbing photos, focus on storytelling and technique. Use varied angles, play with light and shadow, and remove distractions from the frame. Consider the climb’s narrative from start to finish, capturing not just the climber but also the environment and emotions involved. Safety should always be your first priority; make sure your rigging is secure and you’re well-positioned before taking any shots.

FAQ 4: What is a fixed rope and how is it used in climbing photography?

A fixed rope is a rope that’s anchored securely at both ends, providing a stable line for movement and safety. In climbing photography, it allows the photographer to freely position themselves at various heights and angles, offering the ability to capture diverse shots while maintaining safety. The photographer can clip into the fixed rope, freeing both hands to operate the camera.

FAQ 5: What is a bolt and how is it used in climbing photography?

A bolt is a metal anchor drilled into the rock that provides a secure point for attaching climbing gear and ropes. In climbing photography, bolts can serve as reliable anchor points for rigging ropes and equipment, ensuring that the photographer can safely position themselves to get the perfect shot.

FAQ 6: How long should the rope be for climbing photography?

The length of the rope for climbing photography depends on the type of climb and the shots you want to capture. However, a standard climbing rope of around 60-70 meters is usually sufficient for most climbing photography needs, offering enough length to cover various angles and elevations.

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About The Author

Derek, Co-Founder at Know Nothing Nomads

My goal with my writing and Know Nothing Nomads as a whole is to share my passions of hiking, camping, and a love of the outdoors with our readers.

Making the difficult and uncertain feel more approachable to people that might not know enough to feel comfortable taking their first steps into the wilderness is a driving factor for me.

When I'm not writing you can find me on a trail, in a forest, or next to a river with hiking shoes on my feet and a fly rod somewhere close by.

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